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Zombie
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Praise for J.R. Angelella’s Zombie
“Angelella’s debut novel crackles with energy and attitude.”
—Publishers Weekly
“An irreverent and twisted coming-of-age story with one of the most shocking endings I’ve ever read.”
—Matthew Quick, author of The Silver Linings Playbook
“Your home life’s an apocalypse, school’s the plague, and you’re growing up in a wasteland. To survive this zombie movie of a life is probably going to take more than you’ve got. But a world where the dead walk is also a world with miracles. Have faith. Read this book.”
—Stephen Graham Jones,
author of Growing Up Dead in Texas
“Without a doubt, J. R. Angelella is a truly gifted writer, and Zombie, his first novel, is one of the smartest, strangest, and most beautifully crafted coming-of-age stories you will ever encounter. I eagerly look forward to see what he comes up with next.”
—Donald Ray Pollock, author of The Devil All the Time
“Wow! A crazy, wicked, knock-out of a book! Zombie is an energetic, hilarious romp through Jeremy’s world, which is full of dangers and perils both real and imagined (or are they imagined?). Remember those Zombie movies from your childhood that kept you up nights holding onto your baseball bat for safety? When you read this book, you’ll go searching for that baseball bat again. A word of advice … grab the aluminum bat. Trust me.”
—Garth Stein, author of The Art of Racing in the Rain
Copyright © 2012 by J. R. Angelella
All rights reserved.
Published by
Soho Press, Inc.
853 Broadway
New York, NY 10003
Library of Congress Cataloging-in-Publication Data
Angelella, J. R.
Zombie / J.R. Angelella.
p. cm.
Summary: Fourteen-year-old Jeremy Barker, facing his first year of Catholic high school and major family issues, sees the code he lives by, gleaned from zombie movies, put to the test as he tries to set right what he thinks are terrible wrongs committed by his father.
eISBN: 978-1-61695-089-7
[1. Coming of age—Fiction. 2. Family problems—Fiction. 3. Catholic schools—Fiction. 4. High schools—Fiction. 5. Schools—Fiction. 6. Fathers and sons—Fiction.] I. Title.
PZ7.A58232Zom 2012
[Fic]—dc23
2012003803
Interior design by Janine Agro, Soho Press, Inc.
v3.1
To my beautiful wife, Kate. For everything and the world.
“I have never seen a greater monster or miracle in the world than myself.”
—MICHEL DE MONTAIGNE
Contents
Cover
Title Page
Copyright
Dedication
Epigraph
Prologue to the Apocalypse
Jeremy Barker’s
Top Ten Favorite Zombie Movies of All-Time;
Or How to Survive a Necroinfectious Pandemic:
The Zombie Survival Code!
I
Zombieland (2009)
Chapter 01
Chapter 02
Chapter 03
Chapter 04
Chapter 05
Chapter 06
Chapter 07
Chapter 08
II
Dawn of the Dead (2004)
Chapter 09
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
III
Shaun of the Dead (2004)
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
IV
I Walked With a Zombie (1943)
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
V
Thriller (1983)
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
VI
The Greatest Story Ever Told (1965)
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
VII
Zombie Strippers! (2008)
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
VIII
Planet Terror (2007)
Chapter 71
Chapter 72
Chapter 73
Chapter 74
Chapter 75
Chapter 76
Chapter 77
Chapter 78
Chapter 79
Chapter 80
Chapter 81
IX
Night of the Living Dead (1968)
Chapter 82
Chapter 83
Chapter 84
Chapter 85
Chapter 86
Chapter 87
Chapter 88
Chapter 89
Chapter 90
X
28 Days Later (2002)
Chapter 91
Chapter 92
Chapter 93
Chapter 94
Chapter 95
Chapter 96
Chapter 97
Chapter 98
Chapter 99
Epilogue to the Apocalypse
Acknowledgements
Reading Group Guide
PROLOGUE TO THE APOCALYPSE
The earliest memory I have of Dad is: disappearing.
The details don’t matter much now. It’s more of a grainy, amateur film reel in my mind—the kind taken of some possible monster running through the darkness or a dinosaur descending down into choppy, black water. But still it’s mine.
I don’t remember my exact age. Maybe I was that in-between age where standing on tiptoes accomplishes things. Maybe not.
The house was empty. I walked from room to room. The lights were off. I didn’t turn them on, or call out his name, for fear of disturbing whatever might be inside.
Dad was gone.
But I’m not going to start with my earliest memory. If I do that, how the fuck will we ever make it through to the end? There’s so much left to come.
Like high school.
I
ZOMBIELAND
(Release Date: October 2, 2009)
Directed by Ruben Fleischer
Written by Rhett Reese and Paul Wernick
1
According to my father, there are three types of necktie knots: the Windsor, the Half-Windsor, and the Limp Dick.
“Jeremy, I’d bet my hand,” he says, adjusting his seatbelt, “that every swinging dick at Byron Hall wears the Windsor.”
“Could you not talk about dicks first thing in the morning?”
“T
he ladies love masculine things,” he says, pinching his silver tie at the base of its knot.
“Dad, it’s an all guy high school.”
“It’s the principle of the thing.”
“What is?”
“The size of a man’s knot. His bastion of strength.”
“Don’t say bastion of strength. Gross,” I say, shivering.
“It’s true,” he says. “Fact. Proven.” Dad turns, facing me, and exposes the flauntingly fat Windsor knot of his silver tie.
Welcome to Necktie 101. I will be your professor today.
According to Ballentine Barker, in order to make a Windsor, you must cross the long, fat end over the short, skinny one; double loop through the cross-over; make a tunnel over the loops; and funnel it through. The Windsor usually makes you look like a fuckwad.
What is that Bible story about the whale and Jonah? Or is his name Jonas? And Jonah is swallowed whole by some gigantic whale for whatever reason—I don’t know—and Jonah lives inside the whale? And then the whale spits him out. Or is it that he swims out? Or is it that he gets blown out through the blowhole? Or does he die inside the whale? Am I thinking of Moby Dick?
We pass a sign on the side of the road that reads BALTIMORE: THE GREATEST CITY IN AMERICA. GET IN ON IT.
“When they say that—get in on it—what do they mean?” I ask.
“That Baltimore is a secret not many people know about,” Dad says.
“A secret?”
“Get in on it. Be one of the people in the know. Be in on the secret. A part of the club.”
“What secret? What club?”
“It’s like referring to Baltimore as Charm City. The name creates a buzz where no buzz is buzzing.”
“Buzzing?” I ask.
Dad says, “You ask too many questions.”
Jackson used to call Baltimore by a bunch of different names. B-town. Charm City. Crabtown. City of Firsts. Monument City. Mob Town. Murderland. He’d say them mainly to impress girls. They’d stop by the house in the evenings. Groups of them. Whore-ds of them. Get it? Whore-ds of them? And ask if he was home. They would travel from far away. Randallstown. Ellicott City. Columbia. Westminster. Cockeysville. Perry Hall. Take 83 South to Cold Spring Lane or I-95 to Russell Street past M&T Bank Stadium. Travel just to see him. They’d stink of perfume, wearing short skirts, tight tops, big hair, lipstick-red lips. Jackson would emerge from his room, sometimes wearing only a robe, and descend down the stairs like some Casanova Fuck. “Welcome,” he’d say, “to the City of Firsts.”
What an ooze.
We drive past a middle-aged woman speed walking in pink Spandex shorts and a black tank top. She has medium boobs, her butt cheeks shifting back and forth with each step. The Spandex cups her ass and hips such that she might as well be wearing underwear. I immediately feel guilty, like I just lied to a priest. I think about her tits. Amazing.
Dad taps his horn. “Ballentine likes what he sees,” he says. Dad refers to himself in third person from time to time, including on his voicemail messages. I am constantly reminded where Jackson gets his ooziness. “A little beep-beep now and again keeps them feeling young, son. Lets them know they still got it.”
“Do you think she has kids?” I ask.
“Not all mothers are your mother,” he says.
I’m surprised Dad mentions Mom at all, especially on the first day of school as it always used to be her day. She would get up early, make a big breakfast of pancakes and eggs and strawberry milk. After, she’d pose me on the front steps of our house for the annual first day of school photo. She kept the photos framed in a collage on the wall, reaching all the way back to my first day of preschool. There’s a black rectangle on the wall outlining where the collage used to hang. Today there was no first day of school photo. Today there was no breakfast or strawberry milk. I wonder where those framed photos are now.
“Your mother is not here, Jeremy,” Dad says. “I am.” Dad’s car drifts into the other lane, crossing briefly over the double yellow lines before weaving around a garbage truck. “The size of a man’s knot,” Dad continues, “indicates his massiveness.”
“Massiveness? Oh, Jesus.”
“Language.”
“Dad, seriously.”
“Listen. You need to hear this: Windsor equals monster. Half-Windsor equals babyshit.”
“Babyshit?”
“Babyshit.”
Allow me to professor your ass with some Half-Windsor knowledge.
The Half-Windsor folds like a paper football, easy with perfect angles. Personally, I think it’s the best knot. It’s easier than the Windsor because you only make one loop over the cross-over instead of two. But getting the length right takes skill, practice, and a sense of pride. Where the Windsor, more often than not, gives you a stumpy bitch length, the Half-Windsor—if you get it right—hangs sexy and perfect right to the tip of your belt. That triangular tip of the tie skimming a silver belt buckle. It’s badass. Totally badass. But I haven’t figured out how to tie it perfectly yet.
We drive past a private golf course—some members-only club surrounded in a super high fence to keep the wrong kind of people out. There is a valley in the road, then a hill, which Dad accelerates through, and as we reach the peak, I see Byron Hall in the distance.
Dad says, “Survival scenario—you’re in school. English. Zombies crash through the windows. Unstoppable. Sick. Savage. Your school is under siege. It’s a Zombie Apocalypse.”
“Crashing?” I ask.
He loosens his grip on the steering wheel, his fingers spread open and relaxed. “Crashing.”
“I’m in English class and zombies are crashing through the windows?”
Dad coasts down a straightaway of red brick houses with long driveways. A man wearing a cowboy hat and mirrored sunglasses navigates a wheelchair down his driveway to the street and slides envelopes inside a mailbox. Dad rides the brake, cutting our speed down quick, and looks over his shoulder as we pass, watching the man spin and roll away from the street, retreating in his wheelchair, completely legless.
“Dad, you said zombies were crashing through the windows of my English class?”
“Right—crashing. They’re crashing.”
“Through the windows. A Zombie Apocalypse, you said.”
“What is your weapon and what is your escape plan?” He looks at me longer than anyone driving should. “And no Minigun either. You always say Minigun. Use another movie other than Planet Terror as an example. Think outside the box.”
Stopped at a red light, I see the Byron Hall campus up across from a strip mall, just like the one in Dawn of the Dead. His turn signal clicks.
“Break the glass of one of those emergency panels with my elbow, grab the axe, and chop my way across the street to the mall.” I chop my arm from the school across the street to the mall. “Hold up there. Last-stand style. Barricade the doors with bike locks from a sporting good store and wait for the cavalry to come. I’d grab a few extra things—blowtorch, propane tank. If I have to make a bomb. Blow some shit up. What about you?” I ask.
“You couldn’t pay me to go back to high school,” he says.
We pass an empty football field with metal bleachers and two yellow wishbone goalposts. Dad pulls in behind a long line of cars, waiting to turn into the entrance. The sign out front reads: BYRON HALL CATHOLIC HIGH SCHOOL FOR BOYS. We jerk to a stop at the top of the circle where two Christian Brothers greet students as they enter. The Brothers wear long black tunics that brush their shiny black shoes, although if memory serves me correct from when Jackson went here the Brothers have the options to wear the long black tunic, or all black suits like a priest, or just rock the regular sport coat, button down shirt, and tie. But not these Brothers. These Brothers are old school. These Brothers look like hippie priests in their tunics. The Byron Hall mascot, an angry fighting blue jay, stands with the Brothers waving his blue-feathered wings at people passing by. The blue bird is equal parts terrifying and gay.
I knock his arm away. “You’re messing up my hair.”
He wipes his hand on a handkerchief. “It’s like a fucking grease pit up there.”
“Hair gel.” I lower the overhead visor to see the mirror, to fix the brown curls he ruffled out of place, the curls I rushed this morning to not make him late. I comb a few strands of hair back into a part and adjust my thin black tie. I aim my shoulders to the door, so he won’t see my knot.
“Look at you,” he says, poking me in the back. He drapes his arm over the wheel. “Barely a freshman and already primping like a Revlon girl.”
“Quit,” I say, slamming the car visor up. I grab my book bag and push open the door when his hand grabs me by my navy blue sport coat.
“I’ll quit,” he says. “Sure. If you turn around.”
“I’m late.”
“I’m your father.”
I know what he wants to see, but it’s his fault for rushing me this morning, goddamnit.
“I’m really going to be late for homeroom. You’re going to make me late.” Dad’s words from my lips.
Dad smells like aftershave and coffee and bleach. He disappeared again last night. Showed up at the house early—scattered, paranoid, rushed. Like always, Dad disappeared and no one knows anything about it. He thinks he’ll be able to keep it a secret. He thinks he will be able to scare people away, but I follow the Code—Zombie Survival Code (ZSC). The ZSC is a list on how to survive a necroinfectious pandemic, otherwise known as a Zombie Apocalypse. B-t-dubs, it should be noted that I totally ripped the idea of survival rules off of Zombieland. Big holla to Jesse Eisenberg. I don’t know if I heard this somewhere or thought it up myself, but here is the deal—rules are meant to be broken, but codes are made to be followed.
Zombie Survival Code #1: Avoid Eye Contact (ZSC #1)
Zombie Survival Code #2: Keep Quiet (ZSC #2)
Zombie Survival Code #3: Forget the Past (ZSC #3)
Zombie Survival Code #4: Lock-and-Load (ZSC #4)
Zombie Survival Code #5: Fight to Survive (ZSC #5)
“I asked you to turn around,” he says. “Show me. Now.”
“You want me to miss first period?” ZSC #1: Avoid eye contact—I look away.
“I want you to obey your father. It’s in the Bible. Now turn around.”
Zombie